By Mary Jo Hiney

A publication as renowned and well-reviewed as Quiltagami cries out for a sequel—and the following it truly is, with 19 new and fascinating initiatives that diversity from animal handbags to scrapbook wall hangings. This enjoyable craft combines quilting with origami, and has intrigued needleworkers desirous to upload new strategies to their repertoire. simply take a few textile, fold it to make really good dimensional blocks and goods, and sew it up. The ensuing bag, pillow, or placing has a unprecedented intensity, texture, and richness that captivates the attention and invitations the hand to the touch. Make an lovable Flamingo Tote, a stunning Lotus Blossom Wall putting, a comfortable Butterfly duvet, an Eight-Point big name Pocket, and five lovely pillows to enhance any room in the home. a variety of the Crafters selection e-book membership.

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It isn’t long before you are creating unique layouts that build on and sometimes even completely mask the original Pineapple design. The possibilities are as varied as imagination can call up, and they can be magical fun. Photo by Andreas Berthel Cyclamen (below), also made by Brigitte, reflects her fondness for using silk fabrics. She chose aubergine and silver-gray dupioni for a wonderful light-shadow effect, with a built-in background border of darker colors. Inspiration, 531/2˝ × 681/2˝, by Brigitte Morgenroth 32 FRESH PINEAPPLE POSSIBILITIES Cyclamen, 531/2˝ × 78˝, by Brigitte Morgenroth SECTION TWO DEVELOPING AND DIVERSIFYING Jane’s In Gear is a clean design focusing on unique fabric without any extraneous distractions.

The center gold windmills glow, the color in the stars appears transparent, and the inner border of light blue is lacy. All these aspects of this complex design directly result from the use of slices. Website, 53˝ × 53˝, by Dixie Haywood, from the collection of Carla and Richard Eaton Corner layout for Website 50 FRESH PINEAPPLE POSSIBILITIES SECTION TWO DEVELOPING AND DIVERSIFYING Jane made Provence Pineapples (at right) using her stock of French fabrics cut into even slices. Trying to stay within the traditional Provençal colorway, she opted to use only red, blue, and yellow fabrics.

This caused the geese to “fly” on the horizontal/vertical planes rather than the diagonal. Jane deliberately chose the dark purple, knowing it would subtly bleed into areas of the print and create ambiguity. Twilight Flight, 24˝ × 24˝, by Jane Hall Layout for Twilight Flight with a single block outlined 54 FRESH PINEAPPLE POSSIBILITIES SECTION TWO DEVELOPING AND DIVERSIFYING OFF-CENTER PINEAPPLES A whole new world of design opens when the center of the block is moved. The classic symmetrical Pineapple pattern becomes asymmetrical, with new graphics and exciting possibilities.

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