By Gary Dyer

Gary Dyer breaks new floor by means of surveying and examining 1000s of satirical poems and prose narratives released in Britain in the course of the Romantic interval. those works were ignored via literary students, happy that satire disappeared within the overdue eighteenth century. Dyer argues that satire endured to be a massive and widely-read style, and that modern political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He encompasses a bibliography of greater than seven-hundred volumes containing satirical verses.

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Additional resources for British Satire and the Politics of Style, 1789-1832 (Cambridge Studies in Romanticism)

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The latter Cambridge Books Online © Cambridge University Press, 2009 The scope of satire, 1J89-1832 21 works, indeed, are a context within which Don Juan or The Vision of Judgment must be read. In relating "literary" satire to such "popular" forms of ridicule as verse pamphlets, this study treats these classes as initially distinct, and the main justification for such a taxonomy and a hierarchy is what audience the author anticipates. In large part, these intended readerships can be differentiated on the basis of education, specifically classical education.

These two objections are akin, because even though these formal traits have no essential or necessary relation to politics, they nevertheless encoded anti-establishmentarian political meanings in the 1790s. Gifford's personal feud with Wolcot, which culminated in blows at the office of the former's publisher in 1800, was nourished by basic disagreements on the state of England and the role of satire, disagreements that reflect the contradictory tendencies in verse satire in the Romantic period.

In the preface to his 1823 satirical poem Visions of Taste, David Douglas writes that "from the days of POPE ... "72 The point is not whether these works actually performed (or could have performed) the tasks they professed, but the confidence with which Douglas invokes such effects as a yardstick for value: although "worth" is inherent in the text before publication, in practice worth assures success so reliably that someone can treat success as evidence of worth. For Douglas to assert that he wants to reform his targets or his readers may be conventional, but this conventionality does not authorize us to disregard his declaration.

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